A photographer needs an audience but they also need to be prepared for a different response to the one they intended.
Cycling is on the up. Read my top four tips to keep cycling.
In my previous post I wrote about personal memories. In this post I look at our collective memories especially in the light of the current controversy over “denying history” following the toppling of slavers’ statues.
On my cycle rides around the countryside I end up exploring many churches. Some of them are grand statement buildings with their towers rising above the neighbouring houses and trees asserting their authority on the land and people around them. Others are much smaller and self-effacing, nestling amongst the trees and tucked away from view.Continue reading “The corners of a churchyard”
I started taking photographs in the pre-digital age and in those days I would carry a little notebook with me to record the “what” (subject), “how” (exposure settings) and, occasionally, the “why” (why was I taking the photograph; what had attracted me to the subject. These days with a digital camera the “how” is stored with the photographs and, the deluge of photographs I can take now that I no longer have to ration myself with a single roll of film, means that I can end up forgetting about the “what” and the “why”
My exhibition showed one view of the old railway line, possibly an outsider’s view, but there are other photographic projects that could be made of the boat train that used run through Weymouth.
The sound of that instance when I fire the shutter to capture photographs ripple back and foward through time.
Welcome and thank you for stopping. This is brief introduction to myself and the purpose of this blog. Feel free to skip!